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GOES, Hugo van der
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| Netherlandish Northern Renaissance Painter, ca.1440-1482 South Netherlandish painter. In 1467 he enrolled as master in the Ghent painters' guild, sponsored by Joos van Wassenhove, master painter in Ghent in 1464 after registering in Antwerp in 1460. In 1469 the two together acted as guarantors for the illuminator Sanders Bening when he became a master, and it was from Hugo that Joos borrowed money when he went to Rome. Sanders Bening was married to Kathelijn van der Goes, perhaps Hugo's sister. Hugo's status within the guild is further attested by the fact that he was guarantor for two other painters in 1471 and 1475, that he was one of the dean's jurors in 1468-9 and that he himself served as dean from towards the end of 1473-4 to at least 18 August 1475. | ||||
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Adoration of the Shepherds sg GOES, Hugo van der1.jpg Painting ID:: 6922 |
c. 1480 Wood, 97 x 245 cm Staatliche Museen, Berlin | ||
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LE BRUN, Charles
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| French painter (b. 1619, Paris, d. 1690, Paris) French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions | ||||
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Adoration of the Shepherds sg LE BRUN, Charles8.jpg Painting ID:: 7829 |
1689 Oil on canvas, 151 x 213 cm Mus??e du Louvre, Paris | ||
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MAINO, Fray Juan Bautista
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| Spanish Baroque Era Painter, 1578-1649 | ||||
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Adoration of the Shepherds sg MAINO, Fray Juan Bautista2.jpg Painting ID:: 8031 |
1612 Oil on canvas, 315 x 174 cm Museo del Prado, Madrid | ||
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